International competition 2009 – 1st Prize
Design Meinhard von Gerkan and Stephan Schütz with Nicolas Pomränke
Project management, competition Clemens Kampermann
Competition design Verena Coburger
Project management Christian Hellmund
Design team Clemens Ahlgrimm, Roman Bender, Stephanie Brendel, Verena Coburger, Ivanka Perkovic, Annette Löber, Anna Liesicke, Ursula Köper, Tiago Henriques, Laia Caparo, Julius Hüpeden, Patrick Machnacki, Giuseppina Orto, Michael Scholz, René Wiegand, Dörte Groß, Florian Illenberger, Laura Warskulat (student), Ralitsa Bikova (student), Robin Lauritzen (student), Jessika Krebs (student)
Site supervision gmp Bernd Adolf, in cooperation with phase 8
Structural design Professor Pfeifer and partner PartGmbB, structural engineers, Cottbus
Building physics – building and room acoustics Peutz bv, Mook, The Netherlands ADA Acoustic Design Ahnert, Prof. Dr.-Ing. habil. W. Ahnert, Berlin
Fire protection hhpberlin Ingenieure für Brandschutz GmbH, Berlin
Stage technology theapro, theater projekte daberto + kollegen planungsgesellschaft mbh, Munich
Services engineering Planungsgruppe M+M AG, Dresden (up to design phase 3), Consortium of IB Rathenow BPS and Solares Bauen GmbH (from design phase 5)
Lighting design Conceptlicht GmbH, Traunreut
Client KID Kommunales Immobilienmanagement Dresden GmbH & Co KG
Construction period 2013–2017
GFA 37,062 m²
Concert hall, Dresdner Philharmonie 1,750 seats, incl. 18 wheelchair places
Cabaret hall, “Die Herkuleskeule” 240 seats, incl. 2 wheelchair places
Central library 5,463 m²
With the DAM Preis 2019 for architecture in Germany, the jury showed its appreciation for the reconstruction of an outstanding building in the Moderne style of the GDR in line with conservation principles and praised the new concept by Architects von Gerkan, Marg and Partners (gmp). The converted building is home to the new concert hall for the Dresden Philharmonic Orchestra, amongst others, the new central library, and the “Herkuleskeule” cabaret venue. Meinhard von Gerkan and Stephan Schütz, together with Nicolas Pomränke and Christian Hellmund, will receive the award from the German Museum of Architecture (DAM) at the awards ceremony on January 25, 2019 in Frankfurt.
The Deutsches Architekturmuseum (DAM) in Frankfurt has been awarding the DAM Preis for outstanding buildings in Germany since 2007. The Kulturpalast Dresden was chosen as winner of the DAM Preis 2019 from four finalists that were selected from a shortlist of 22 nominated buildings.
The conversion and refurbishment of the building included the new construction of a concert hall with 1,800 seats in the center of the existing listed building. The original building substance was reconstructed and integrated in the new design, while the facades were upgraded to current energy conservation standards. While the exterior of the building, which is an outstanding example of the Moderne style in the GDR, was largely restored to its original design dating from 1969, the spatial organization and circulation of the interior were redefined. The design of the Palace takes account of its unique central position between Altmarkt, Schloss, and Neumarkt, providing an all-round orientation with direct access from all three main facades. The combination of culture, education, and entertainment, which will ensure that the venue is much frequented by quite different user groups, has its spatial focal point in the large foyer facing south towards the Altmarkt, which is the main access point to all three main functions and is thus a very busy and lively place. The “Herkuleskeule” cabaret venue is located beneath the concert hall which, in the two upper stories, is snuggly surrounded by the rooms of the library. These are kept in a functional design, featuring plain materials and furnishings specifically designed by gmp. The bright red color of the textile surfaces has been adopted from the original building and has been replicated as a leitmotif in all main functional areas.
At the heart of the building, the concert hall—which has been designed to accommodate other functions as well—has been re-developed in a style that is neither secondary to the existing style elements nor deliberately contrasting with these, but that rather aims for a respectful and charged dialog with the existing building fabric. Its architecture follows the “vineyard” model, with terraced seating that fits with the geometry of the hexagonal arrangement of the layout. In contrast to the warm color of the wooden terraces, the white waves of the walls slowly move from the regular geometry of the layout until they join up at the ceiling of the hall.
With this new concept for the Kulturpalast, Dresden has now been given not only a concert hall of international standing, but also a welcoming venue of culture and knowledge, and a place of informal civic encounters and communication which continues the lively tradition of the building.
The Deutsches Architekturmuseum (DAM) in Frankfurt presents the Kulturpalast Dresden at the center of the exhibition entitled DAM PREIS 2019 – The 25 best buildings in\from Germany. A film produced to a concept by gmp brings to life for the exhibition visitors the special atmosphere and the interplay of the different functions during the course of a day.